POEMS
Re-read Half-caste and
Search For My Tongue.
Compare the ways the writers present societal expectations.
You should make reference to language, form and structure. Support your answer
with examples from the poems.4
Examiners should be alert to a
variety of responses and should reward points that are clearly based on
comparison of the two poems. Evidence of a degree of personal response must be
given. It is not sufficient to summarise or paraphrase, nor is it sufficient
simply to list literary devices.
Half-caste
(AO2) Responses may include:
- the poem challenges the expectations of society to
place people into simple categories, especially through the idea of being
called ‘half-caste’
- the speaker uses a direct and challenging voice from
the opening, ‘Excuse me’, immediately questioning the attitudes of others
- the repeated command ‘Explain yuself’ shows that the
speaker refuses to accept society’s way of thinking
- the use of Jamaican Creole challenges expectations
about how the speaker should speak and write. It also shows confidence in
his own way of speaking
- the examples of Picasso mixing colours and Tchaikovsky
mixing music challenge the idea that mixing is something negative or
incomplete
- the repeated use of ‘half-caste’ is ironic because the
speaker shows that the word itself is based on a narrow way of thinking
- the images of a ‘half-caste canvas’ and ‘half-caste
weather’ make the idea of ‘half-caste’ appear unreasonable when applied to
art and nature
- the questions throughout the poem make the speaker
sound confident and force the reader to think about society’s attitudes
- humour is used to challenge serious social attitudes.
The speaker makes the idea of being ‘half-caste’ appear foolish
- the final image of ‘standing on one leg’ suggests that
society has unfairly treated the speaker as incomplete
- the ending, ‘come back tomorrow / wid de rest of me’,
gives the speaker control and directly challenges the expectations placed
on him
- the irregular form and lack of regular rhyme reflect
the speaker's refusal to follow fixed rules and expectations
- the non-standard spelling and punctuation help create a
strong individual voice and challenge standard expectations of English
Search
For My Tongue
(AO2) Responses may include:
- the poem presents societal pressure through the
speaker's fear of losing her ‘mother tongue’ while living in a different
linguistic environment
- the question ‘What if my mother tongue leaves me?’
shows the speaker's anxiety about losing an important part of her language
- the metaphor of the tongue presents language as
something living and connected to the speaker
- the images of the tongue becoming ‘dry’ and beginning
to ‘rot’ show the possible effects of pressure to use another language
- the extended plant imagery presents the mother tongue
as something with strong roots that cannot easily be removed
- the image of the ‘stump of a shoot’ suggests that the
language may survive even when it appears to have been lost
- the growth of the plant reflects the speaker becoming more
confident that her mother tongue will survive
- the inclusion of Hindi challenges the expectation that
the whole poem should be written in English and gives importance to the
speaker's original language
- the movement from fear to confidence shows a change in
the speaker's response to external pressure
- the structure moves between English and Hindi,
reflecting the speaker's experience of living between different linguistic
environments
- the repeated question at the beginning creates
uncertainty, while the later images of growth create a more positive tone
Both
poems
Both poems have particular merits
and features, and therefore there are a number of points of comparison which
students will make. Examiners might consider the following areas of comparison
where applicable: treatment of subject matter and theme, tone, voice, attitude,
diction, imagery including figurative language, poetic form and structure
including rhythm, line length and enjambement.
All points of comparison should be
developed and supported by close reference and evaluation of specific examples.
(AO3) Responses may include:
- both poems present individuals responding to
expectations placed on them by the societies around them
- both speakers challenge the idea that they should
change an important part of themselves to meet social expectations
- Half-caste
presents a more direct and confrontational response, while Search For
My Tongue initially presents fear and uncertainty before becoming more
confident
- both writers use language to resist pressure. Agard
uses Jamaican Creole, while Bhatt includes Hindi in the poem
- both poems challenge the dominance of standard English.
Agard uses non-standard English throughout, while Bhatt gives space to her
mother tongue
- both writers use imagery to show that the speakers
cannot be easily separated from an important part of themselves. Agard
uses images of art and nature, while Bhatt uses the image of a growing
plant
- both poems use unusual structures to reflect the
speakers' experiences. Half-caste uses an irregular structure and Search
For My Tongue moves between two languages
- both speakers become stronger in response to social
expectations. Agard openly challenges those who label him, while Bhatt
shows that her mother tongue continues to grow
- the endings of both poems are powerful. Agard ends with
a direct challenge to the reader, while Bhatt ends with the image of her
mother tongue growing again
- both poems suggest that societal expectations can place
pressure on individuals, but the speakers refuse to allow these expectations
to completely control them
These examples are suggestions only.
Accept any valid responses.
Level
| Mark | Assessment objectives
AO2 Analyse the language, form and structure used by a writer
to create meanings and effects. (15 marks)
AO3 Explore links and connections between texts. (15 marks)
Re-read Remember. (Total for
Question 2 = 30 marks)
Compare the ways the writers present
separation in Remember and one other poem from the anthology. You
should make reference to language, form and structure. Support your answer with
examples from the poems.
Examiners should be alert to a variety of responses and should
reward points that are clearly based on comparison of the two poems. Evidence
of a degree of personal response must be given. It is not sufficient to
summarise or paraphrase, nor is it sufficient simply to list literary devices.
Remember
(AO2) Responses may include:
· separation
is presented through the speaker's instructions to someone she loves, asking
them to remember her after they are no longer together
· the
poem begins with the repeated command ‘Remember’, immediately making separation
an important part of the speaker's thoughts
· the
speaker uses images of death and departure, such as ‘silent land’, to suggest a
permanent separation from the person she loves
· the
phrase ‘when you can no more hold me by the hand’ presents separation as the
loss of physical closeness and human contact
· the
speaker describes the relationship through the image of holding hands, making
the coming separation personal and emotional
· the
repetition of ‘Remember’ shows the speaker's wish to remain connected even
after separation
· the
speaker initially asks the other person to remember her, but later changes her
attitude and tells them not to feel guilty if they forget
· the
contrast between ‘remember’ and ‘forget’ shows the speaker's changing attitude
towards separation
· the
speaker's question, ‘For if the darkness and corruption leave / A vestige of
the thoughts that once I had’, suggests that death may separate her from her
thoughts and memories
· the
image of ‘darkness and corruption’ creates a negative and final picture of
death and separation
· the
speaker presents separation as something that cannot be avoided, using the
phrase ‘turning yet to turn to go’
· the
repeated references to ‘remembering’ and ‘forgetting’ show the emotional
difficulty of accepting separation
· the
change in tone in the second half of the poem makes the speaker appear more
accepting. She says, ‘Yet if you should forget me for a while / And afterwards
remember, do not grieve’
· the
final lines suggest that the speaker would rather the other person be happy
than remain trapped by memories of her: ‘Better by far you should forget and
smile’
· the
final contrast between ‘forget’ and ‘smile’ suggests that love can continue
even when people are separated
· the
sonnet form provides a clear structure for the speaker's changing thoughts. The
poem moves from a strong request to remember towards acceptance of possible
forgetting
· the
regular structure and controlled rhythm reflect the speaker's calm and
thoughtful approach to separation
· the
use of enjambment allows the speaker's thoughts to continue across lines,
reflecting the movement of her thoughts about death, memory and separation
Remember and one other poem
Both poems have particular merits and features, and therefore there are a
number of points of comparison that students will make. Examiners might
consider the following areas of comparison where applicable: treatment of
subject matter and theme, tone, voice, attitude, character, diction, imagery
including figurative language, poetic form/structure including rhythm, line
length and enjambement.
All points of comparison should be developed and supported by close
reference and evaluation of specific examples.
(AO3) Responses may include:
· the
poem chosen must be one in which separation is significant, such as Piano,
Poem at Thirty-Nine, Hide and Seek, Search For My Tongue,
La Belle Dame sans Merci, Do not go gentle into that good night,
or any other appropriate poem from the collection
· the
similarities and differences in the ways separation is presented in each poem
will be considered
· comparisons
may be made between the reasons for separation, such as separation through
death, loss, growing up, distance or emotional isolation
· comparisons
may be made between the speakers' feelings towards separation, including
sadness, fear, acceptance, anger or loneliness
· comparative
links made between techniques, such as specific comparisons of imagery,
repetition, metaphor or word choice, and supported with relevant evidence from
both poems, will be evident
· comparisons
of how the writers use form and structure to present separation will be considered
· comparisons
may be made between the openings and endings of the poems and how they present
the experience of separation
· comparisons
of how the poems affect the reader may be considered
These examples are suggestions only. Accept any valid responses.
Level | Mark | Assessment objectives
AO2 Analyse the language, form and structure used by a
writer to create meanings and effects. (15 marks)
AO3 Explore links and connections between texts. (15
marks)
|
Poem |
How
separation connects |
Suitability |
|
Piano – D. H. Lawrence |
Separation from childhood/past;
the adult speaker is emotionally separated from his mother and childhood |
⭐⭐⭐⭐⭐ |
|
Hide and Seek – Vernon Scannell |
Separation from the mother/family
and the child's experience of being left alone |
⭐⭐⭐⭐⭐ |
|
Poem at Thirty-Nine – Alice Walker |
Separation through the death of
the father; memory keeps the relationship alive |
⭐⭐⭐⭐⭐ |
|
Search For My Tongue – Sujata
Bhatt |
Separation from one's mother
tongue and the fear of losing an important part of oneself |
⭐⭐⭐⭐ |
|
La Belle Dame sans Merci – John
Keats |
Emotional isolation and separation
after the knight's encounter with the mysterious woman |
⭐⭐⭐⭐ |
|
Do not go gentle into that good
night – Dylan Thomas |
Separation caused by death; the
speaker desperately resists losing his father |
⭐⭐⭐⭐ |
|
Prayer Before Birth – Louis
MacNeice |
Separation from safety/protection
before entering a threatening world |
⭐⭐⭐ |
Re-read Remember**. (Total for Question 2 = 30
marks)**
Compare the ways the writers present
the difficulty of letting go in Remember and one other poem from
the anthology. You should make reference to language, form and structure.
Support your answer with examples from the poems.
Examiners should be alert to a variety of responses and should reward points
that are clearly based on comparison of the two poems. Indicative content is
offered for Remember but, because candidates are asked to choose any
other appropriate poem from the selection, it is not always possible to
indicate content for the second except in generic ways.
Remember (AO2)
Responses may include:
· the
difficulty of letting go is presented through the speaker’s repeated request to
be remembered after she has gone: “Remember me when I am gone away”,
showing her desire to maintain a connection even after separation
· the
repetition of “Remember” emphasises the speaker’s emotional
attachment and her wish not to be forgotten
· “Gone
far away into the silent land” presents death as a permanent
separation, making letting go particularly difficult
· “When
you can no more hold me by the hand” shows the loss of physical
closeness and suggests that letting go involves losing an important
relationship
· “Nor
I half turn to go yet turning stay” presents hesitation, suggesting
that leaving is emotionally difficult even when the speaker knows she must
leave
· the
speaker finds it difficult to let go because of the shared future they have
imagined: “our future that you planned” suggests that hopes
and plans make separation more painful
· the
repetition of “Only remember me” reinforces the speaker’s
desire to hold on to the relationship
· the
contrast between “remember” and “forget”
presents the conflict between holding on and letting go
· “Yet
if you should forget me for a while” shows the speaker beginning to
accept that the other person may need to move forward
· “And
afterwards remember, do not grieve” suggests that remembering should
not prevent the loved one from moving on with life
· the
final contrast, “Better by far you should forget and smile / Than that
you should remember and be sad”, shows the speaker finally accepting
that letting go may be better than remaining trapped in sadness
· the
sonnet form provides a controlled structure for the speaker’s changing
thoughts, moving from a strong desire to be remembered towards acceptance
· the
structure of the poem reflects the emotional movement from attachment to
acceptance
· enjambment
allows thoughts and feelings to continue across lines, reflecting the speaker’s
difficulty in bringing the relationship to an end
· the
ending contrasts with the beginning: the speaker initially asks to be
remembered but finally accepts that forgetting may be necessary for happiness
Remember and one other poem
Both poems have particular merits and features, and therefore there are a
number of points of comparison that students will make. Examiners might
consider the following areas of comparison where applicable: treatment of
subject matter and theme, tone, voice, attitude, character, diction, imagery
including figurative language, poetic form/structure including rhythm, line
length, enjambement.
All points of comparison should be developed and supported by close
reference and evaluation of specific examples.
(AO3) Responses may include:
· the
poem chosen must be one in which the difficulty of letting go is significant,
such as Piano, Poem at Thirty-Nine, Hide and Seek, La
Belle Dame sans Merci, Search For My Tongue, Do not go gentle
into that good night, or any other appropriate poem from the collection
· the
similarities and differences of subject matter in each poem will be considered
· comparisons
of why the speakers find it difficult to let go, such as because of love, loss,
childhood, death, family, memory or emotional attachment
· comparative
links made between techniques, such as specific comparisons made in relation to
language, imagery, repetition and word choice, and supporting these points with
relevant evidence from the two poems
· comparisons
of the speakers’ feelings towards the person, experience or part of their lives
that they are trying to leave behind
· comparisons
of how the writers present a conflict between holding on and moving forward
· comparisons
and comments will be made on the use of form and structure, including changes
in tone, repetition, stanza structure, rhyme, rhythm and enjambement
· comparisons
of the endings of the poems may be considered, particularly whether the
speakers finally accept the need to let go or continue to resist it
· comparisons
of how the two poems affect the reader may be considered
These examples are suggestions only. Accept any valid responses.
Level Mark
AO2 Analyse the language, form and structure used by a
writer to create meanings and effects. (15 marks)
AO3 Explore links and connections between texts. (15
marks)
Why
I like this better
It gives you at least four strong
comparison choices:
- Piano
– the adult speaker cannot let go of his childhood and his memories of his
mother.
- Poem at Thirty-Nine
– the speaker continues to hold on to memories of her father after his
death.
- Hide and Seek
– the child struggles with being left behind and the loss of security.
- Do not go gentle into that good night – the speaker refuses to let go of his father and
fights against his death.
- Search For My Tongue
– the speaker struggles with letting go of her mother tongue.
- La Belle Dame sans Merci – the knight cannot move on from his experience and
remains emotionally trapped.
Re-read Remember**. (Total for Question 2 = 30
marks)**
· Compare the ways the writers present the lasting effects
of the past in Remember and one other poem from the anthology. You
should make reference to language, form and structure. Support your answer with
examples from the poems.
Re-read Remember. (Total for
Question 2 = 30 marks)
Compare the ways the writers present
the lasting effects of the past in Remember and one other poem
from the anthology. You should make reference to language, form and structure.
Support your answer with examples from the poems.
Remember
(AO2) Responses may include:
- the lasting effects of the past are presented through
the speaker’s wish that she will continue to be remembered after she is no
longer present: “Remember me when I am gone away”
- the repeated command “Remember” shows how
strongly the speaker wants the past relationship and shared experiences to
remain important
- the image of the “silent land” suggests death as
a permanent separation, showing how the past may become the only
connection between the speaker and the person she loves
- “when you can no more hold me by the hand” presents the lasting effect of physical separation.
The simple image of holding hands makes the relationship personal and
shows what will be lost
- the speaker suggests that memories may survive even
when the person is no longer present: “when you can no more hold me by
the hand” links physical loss with the importance of remembering
- the phrase “turning yet to turn to go” presents
the speaker leaving while still looking back. The repetition of “turn”
suggests difficulty in leaving the past behind
- the speaker considers the possibility that memories may
become unclear after death: “For if the darkness and corruption leave /
A vestige of the thoughts that once I had”
- “darkness and corruption” create negative images of death and suggest that the
past may survive only in a limited or incomplete form
- the word “vestige” suggests a small remaining
trace, showing that the effects of the past may remain even when much has
been lost
- the speaker’s attitude changes in the second part of
the poem. “Yet if you should forget me for a while” shows a more
accepting attitude towards the possibility that the past may gradually
become less important
- the contrast between “remember” and “forget”
shows the speaker considering different ways in which the past can affect
the future
- “And afterwards remember, do not grieve” suggests that remembering the past should not prevent
the person from continuing with life
- the final line, “Better by far you should forget me
and smile”, presents the strongest change in the speaker’s attitude.
She accepts that the past may be forgotten if this allows the other person
to be happy
- the ending shows that the lasting effects of the past
do not have to be painful. The speaker values the other person’s future
happiness more than preserving her own memory
- the sonnet form gives the poem a controlled and
thoughtful structure. The poem moves from the speaker’s first request to
remember her towards acceptance that she may eventually be forgotten
- the structure creates a clear change in attitude, from
wanting the past to be remembered to accepting that the past should not
control the future
- the use of enjambment allows the speaker’s thoughts to
continue across lines, reflecting the way memories and thoughts about the
past continue to develop
Remember
and one other poem
Both poems have particular merits
and features, and therefore there are a number of points of comparison that
students will make. Examiners might consider the following areas of comparison
where applicable: treatment of subject matter and theme, tone, voice, attitude,
character, diction, imagery including figurative language, poetic
form/structure including rhythm, line length and enjambement.
All points of comparison should be
developed and supported by close reference and evaluation of specific examples.
(AO3) Responses may include:
- the poem chosen must be one in which the lasting
effects of the past are significant, such as Piano, Poem at
Thirty-Nine, Hide and Seek, Search For My Tongue, La
Belle Dame sans Merci, Do not go gentle into that good night,
or any other appropriate poem from the collection
- the similarities and differences in how the past
continues to affect the speakers or characters will be considered
- comparisons may be made between different reasons why
the past remains important, such as loss, childhood, family, death,
language, love or personal experience
- comparative links may be made between the feelings
created by the past, such as sadness, longing, regret, fear, acceptance
or emotional attachment
- comparative links may be made between the ways writers
use memory, imagery, repetition, metaphor and word choice to show
the effects of the past
- comparisons may be made between the ways the speakers
look back at the past and their attitudes towards it
- comparisons and comments will be made on the use of form
and structure, including changes in tone, stanza structure,
repetition, rhyme, rhythm and enjambement
- comparisons of the beginnings and endings of the
poems may be considered, particularly where the ending shows whether the
speaker remains affected by the past or begins to accept it
- comparisons of how the writers make the reader respond
to the lasting effects of the past may be considered
These examples are suggestions only.
Accept any valid responses.
Question 4: Explore Aunt Alexandra’s
influence on the Finch family in the novel. You must consider the context of
the novel in your answer.
Examiners should be alert to a
variety of responses and should reward points that are clearly based on
evidence from the text. This is not an exhaustive list but the following points
may be made:
(AO1)
• Aunt Alexandra comes to stay with
the Finch family because she believes Jem and Scout need a female influence in
their lives.
• she is concerned about the Finch
family name and believes that family background is very important. She talks
about the importance of being a Finch and having a good family history.
• she expects Scout to behave like a
traditional young Southern girl. She dislikes Scout’s tomboy behaviour and
wants her to dress and behave more like a lady.
• she tries to influence Scout’s
clothes and behaviour, showing that she has strong ideas about how girls should
behave.
• she believes that the Finches are
different from families such as the Cunninghams and Ewells because of their family
background and social position.
• she does not want Scout to mix too
closely with people she considers socially unsuitable.
• Aunt Alexandra disagrees with
Atticus’ way of raising his children. She feels that he gives Jem and Scout too
much freedom.
• she tries to make Scout understand
the importance of family history and social position.
• she causes tension in the Finch
household because her traditional views are different from Atticus’ more open
views.
• however, Aunt Alexandra does care
about her family and wants to protect the Finch name.
• after the trial and Tom Robinson’s
death, Aunt Alexandra shows that she is capable of understanding and
compassion. She is deeply affected by the events even though she normally
appears strict.
• when Miss Maudie tells her to be
strong, Aunt Alexandra shows that she is worried about Atticus and the family.
• she later allows Scout to
understand that being a Finch involves responsibility as well as social status.
• Aunt Alexandra’s influence
therefore changes during the novel: at first she mainly represents strict
family and social expectations, but later she shows greater understanding of
the difficulties faced by Atticus and his children.
(AO4)
• the novel is set in Maycomb,
Alabama, in the 1930s, during a period of strong racial prejudice and social
inequality.
• Aunt Alexandra represents the
traditional values of the Southern society in which family background and
social class are considered very important.
• her belief in family background
reflects the importance of social class in Maycomb.
• her ideas about Scout’s behaviour
reflect traditional expectations of women and girls in the society of the time.
• Aunt Alexandra’s concern about the
Finch name shows how families were expected to protect their reputation within
a small community.
• her attitudes towards the
Cunninghams and other families show the class divisions that exist in Maycomb.
• her views can be contrasted with
Atticus’ belief that people should be judged by their actions rather than their
family background.
• the novel shows that traditional
social attitudes can create divisions between people.
• Harper Lee uses Aunt Alexandra to
represent some of the older and more traditional values of Southern society.
• the events surrounding Tom
Robinson’s trial challenge some of these traditional attitudes and help Aunt
Alexandra and the Finch family see the pressures created by Maycomb society.
Level Mark
AO1 Demonstrate a close knowledge and understanding of the
texts, maintaining a critical style and presenting an informed personal
engagement. (20 marks)
AO4 Show understanding of the relationships between texts and
the contexts in which they were written. (20 marks)
Question 5: Explore Jem’s response
to the events of the novel. You must consider the context of the novel in your
answer.
Examiners should be alert to a
variety of responses and should reward points that are clearly based on
evidence from the text. This is not an exhaustive list but the following points
may be made:
(AO1)
• Jem begins the novel as a
confident and imaginative child who enjoys playing with Scout and Dill and
creating games about Boo Radley.
• he is interested in Boo Radley but
gradually begins to understand that the stories about Boo are not necessarily
true.
• Jem becomes more mature as he
learns from Atticus and from the events around him.
• he is proud of Atticus after
seeing him shoot Tim Johnson, but he also begins to understand that his father
does not like using violence or being praised for his skill.
• Jem learns important lessons from
Atticus, including the need to understand other people before judging them.
• the events involving Mrs Dubose
help Jem understand that courage can take different forms.
• Jem becomes increasingly aware of
racial prejudice in Maycomb.
• he is upset when he sees the way
Tom Robinson is treated and becomes hopeful that the evidence will lead to Tom
being found not guilty.
• Jem believes that the jury will do
the right thing because he has listened carefully to the evidence during the
trial.
• the guilty verdict deeply shocks
Jem because he believes the evidence clearly supports Tom.
• after the verdict, Jem struggles
to understand how the jury could find Tom guilty.
• he begins to lose some of his
earlier belief that the people of Maycomb will always do what is right.
• he questions the fairness of the
justice system and discusses the verdict with Atticus.
• Jem becomes more aware of the
difference between what is supposed to happen in society and what actually
happens.
• by Chapter 24, Jem and Dill are
affected by Tom’s death and the injustice surrounding it.
• Jem’s response to these events
shows that he is becoming more mature and more aware of the problems in the
society around him.
(AO4)
• the novel is set in the 1930s in
the American South, where racial prejudice and segregation were part of
society.
• Jem’s shock at the guilty verdict
shows the conflict between his belief in fairness and the racial prejudice of
Maycomb.
• the trial shows the unequal
treatment of Black and white people in the society of the time.
• Jem initially believes that the
legal system will be fair because he trusts the evidence and his father’s
argument.
• his disappointment reflects the
way racial prejudice can affect justice.
• Jem’s changing views show the
effect of growing up in a society where social class and race strongly
influence people’s attitudes.
• the Finch family’s position in
Maycomb allows Jem to see both the advantages and problems of their social
position.
• Atticus teaches Jem values such as
fairness, empathy and respect, which influence the way Jem responds to the
events around him.
• Jem’s changing attitudes can be
linked to the wider social divisions in Maycomb.
• Harper Lee uses Jem’s development
to show how a young person can begin to question the beliefs and behaviour of
the society around him.
• the events of the novel challenge
Jem’s early belief that adults and the justice system will always make fair
decisions.
Level Mark
AO1 Demonstrate a close knowledge and understanding of the
texts, maintaining a critical style and presenting an informed personal
engagement. (20 marks)
AO4 Show understanding of the relationships between texts and
the contexts in which they were written. (20 marks)
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